In my painting behind glass with acrylic paints everyday scenes  are captured. The bodies of the depicted persons, which are only vaguely indicated  and the colours and reflections of the glass are to be merged. 

In contrast to the stage design of my dance theatre pictures , the broken light conditions and the dissolution of objects should lead to a fusion of furniture, space and people  and thus to a new pictorial space. The moment captured in the picture, not a pathetic pose, but only  the fixed fraction of a movement, are part of an atmospheric whole and in the reduction of the consciously chosen pictorial detail, give a precise picture of the mood of space, time and action.